Public Enemies – Beautiful Cinematography

I wondered if "Public Enemies" would romanticize the gangster life, and it sort of does. But it also gives the other side of the story – the blood, violence, and nastiness.

Still, this movie mostly romanticizes it, mainly because Johnny Depp is just so darn cute. What girl could resist his charms, gangster or not? Plus, I think he’s actually getting better looking as he gets older. But enough of my crush…

In "Public Enemies," Depp plays notorious gangster John Dillinger in the 1930s. It’s not a life story or anything; the movie actually picks up with him getting out of prison after something like nine years. Apparently, he’s learned nothing in there, because he’s right back at it, gathering the gang back together and planning their next bank robbery.

We really don’t see a lot of the other gangsters – it’s mostly about Dillinger – but on the sidelines is Baby Face Nelson (Stephen Graham), Pretty Boy Floyd (Channing Tatum) and others. In a nightclub, Depp spots the beautiful Billie Frechette (Marion Cotillard) and goes over to introduce himself. He wastes no time and not only strikes up a romance right away, but also tells her who he is and what he does. "I’m John Dillinger, and I rob banks." She resists his charms at first, but they’re soon involved in a torrid affair.

I don’t know enough about Dillinger to know if everything in the movie is factual, but it sure plays well on screen. The romance, the bank robberies, the hiding out, the cat-and-mouse games with G-Man Melvin Purvis (Christian Bale) and FBI director J. Edgar Hoover (Billy Crudup) … it’s all good. But what I really love about the movie is the fantastic cinematography. If it doesn’t win some awards, then something is seriously wrong with the world.

The camera work vacillates between traditional shots like you’d see in any commercial movie and old news footage-type shots. I don’t know the technical terms, but it’s very clear and concise, and almost bathed in a sepia toned sheath. I kept thinking about the footage of Lee Harvey Oswald being gunned down as he was being transferred from one place to another, because it reminded me of that. Other scenes looked like they were shot with a hand-held home movie camera. It gives you the feeling of being right there at that time and place.

The original music by Elliot Goldenthal — a guitarsy-cross between folk and jazz – is also really impressive. I could have just listened to the music all day. And all of the vintage stuff – the cars, guns, clothing, and interior designs – was all spot-on.

"Public Enemies" didn’t have enough bank robberies to impress my teenaged son, but if you’re a fan of Johnny Depp or gangster movies, or if you just want to see a really well-made film, then go check this one out.

NOTE TO PARENTS: The R rating is mainly for violence; there are quite a few scenes of people being gunned down, heads getting banged, people bleeding to death, that sort of thing. There’s a little bit of sex, but nothing explicit. You just see Dillinger and Frechette in bed together. I’d say it’s ok for kids 16 and older who don’t mind violence.

Images: © Universal Pictures